Provide a 6 pages analysis while answering the following question: Formation of the Classification of the Male Voice. Prepare this assignment according to the guidelines found in the APA Style Guide.

Provide a 6 pages analysis while answering the following question: Formation of the Classification of the Male Voice. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is required. Musical theorists and pedagogues differentiate three main types of male voices as well as a great number of their subtypes. Despite a bulk of literature on the issue, voice categorization is still hotly debated. Although there are controversial questions within the issue, one thing is clear: voice categorization is what helps singers save their voice for many years as it helps match repertoire and voices, and this face proves the importance of the problem. This paper is focused on the process of the formation of the classification of the male voice.

At first, it is necessary to define a range of terms, which are used when it comes to the issue of voice categorization. One of the main and, perhaps, one of the first vocal qualities, the vocal range plays a significant role in the classification of voices. Put in simple words, it is the interval between the lowest and the highest note a specific voice can sing. very often, vocal pedagogues specify the definition mentioning that range is the interval between musically useful notes a voice can produce (Boldrey & Caldwell, 2000). This suggests that different voices may have similar ranges but the quality of sound produced may differ. Due to this, in the nineteenth century, one more quality was adopted as one of the primary criteria, and this is regarded as an important shift in the formation of voice classification.

This refers to the Italian term “tessitura”, which is defined as the most comfortable range for a singer to perform within and in which a voice performs with ease of sound and production. The idea of having special ease of sound is directly associated with the introduction of the category of timbre (Cotton, 2007). The latter is defined as the color and the size of the voice (Boldrey & Caldwell, 2000). In the context, size is not a measurable quantity but rather the ability to project in different settings.